I love a good noir mystery and couldn’t resist one set in my hometown of Boston. Rory Flynn’s Third Rail follows disgraced cop Eddy Harkness who now empties the parking meters in his hometown of Nagog, MA after an encounter with drunken Red Sox fan–caught on video– goes badly. He self medicates with drugs and alcohol and in one hazy night, he loses his gun. Meanwhile he’s discovered a new, deadly drug on the streets, the Third Rail of the book’s title. Flynn, the pen name for Concord based novelist Stona Fitch, writes with economy and fills in Harkness’s backstory as the mysteries move along. There’s lots of action, much corruption, and dirty streets everywhere. I can’t wait to see more of gritty Boston in the next Harkness novel.
I’m a huge fan of Novik’s alternate history Temeraire series. She proved that not only is she hugely imaginative, but she can really write. Novik takes everything to the next level with her new book Uprooted. It’s almost as if she went out and got a degree in Mythology and Folklore. Here she drops you into a fairy tale reminiscent of Grimm yet entirely fresh. Agnieszka quite village in the valley surrounded by the Wood. The dragon, a reclusive wizard, protects her neighbors and village and every 10 years he chooses a woman to come to his tower. When the dragon picks Agnieszka, her world gets turned upside down as she emerges into an unusual heroine. Uprooted manages to be imaginative and fresh, fantasy at its best. I loved this book and can imagine returning to it again and again, like the modern classic it is.
I read White Collar Girl for work, frankly not expecting to like it so much. It truly speaks to the difficulties women faced trying to break into the male dominated work force, in particular here Chicago newspapers. Jordan Walsh comes from a family of reporters and writers. Her mother is an acclaimed poet, her father a nationally recognized reporter now retired, and her brother, now dead from a hit and run, was an up and coming reporter. Jordan longs to break into the ranks of the news desk, but gets relegated to the society pages, covering weddings and what visiting celebrities wore. Even with her family connections, she struggles to be taken seriously. That doesn’t stop her from trying and when she gets a big break finding an inside source in Mayor Daley’s office, she finally gets some confidential information to write serious articles.
The author does a great job with the complexities of how breaking cultural rules, even if the rules are wrong, can often lead to isolation and disagreement. I found Jordan’s journey of self-discovery compelling and believable. Jordan struggled not with just the men, but with some of the women in her life , as they don’t understand why she doesn’t just marry and settle down. Her focus on her career loses her a few male relationships, and I was particularly happy that in the end, the focus is still on Jordan’s blossoming career. I highly recommend this very compelling novel–especially because it has such a wonderful jacket!
Do you like to cry? Have you been feeling too good about your life? Well, do I have the book for you! Seriously though, A Little Life by Hanya Yanagihara will stick with you for a long time. It’s a massive, dark, and elegant novel that follows a four men who meet in a expensive college. Haitain artist J.B. spoiled by his family, mixed-race Malcolm on his way to being an architect, kind-hearted actor Willem, and beautiful Jude, a brilliant lawyer who is also a cutter. But as you get lulled into reading about their 20s and 30s, the book’s focus shifts to Jude, and the many horrible things that happened to him during his childhood and who has kept all of it buried as deep as he can. Yanagihara reveals it all very slowly, nor does she do it gratuitously. Jude’s suffering feels real and it’s the love of those he lets in as close as he can that keeps him alive.
I struggled to write about A Little Life. It’s like I’m reporting on my friends. I suffered with them, I wept with them, and I felt the glimpses of happiness.
After writing Gomorrah, about the Neapolitan mob, Saviano had to go into hiding. He’s been living under police protection ever since, but continued to write about crime and justice and corruption. His new book, Zero Zero Zero, covers the global cocaine trafficking economy and its corrosive effects on the normal functioning of everything it touches.
He writes stirringly about Mexican cartel battles, about the daily struggle to survive as a noncombatant in Juarez and Sinaloa, about the rise and fall of smuggling empires. Tiny details come into focus with amazing clarity – I was bowled over by the fact that at the height of its powers, one cartel was spending thousands of dollars a month on rubber bands just to bundle all its cash.
But the writing tends to be overly poetical and polemical, and the editing and translation seem not to have done any favors to Saviano’s style. What was urgent and fierce in Gomorrah has faded to bombast. It reminds me of the mid-20th-century Latin American political/literary criticism, things like How to Read Donald Duck, which bring a distracting and counterproductive emotional freight to every word.
I mean, there’s some brilliant reporting here, but there’s also a poem about the many names of cocaine. A long poem. It isn’t very good, even by the standards of poetry about drug slang.
I don’t think of myself as being especially sympathetic to selfish or clueless young men, even though I certainly was one myself not very long ago. But when both Heather and I read William Finnegan’s memoir, Barbarian Days: A Surfing Life, I realized I might be more susceptible than I thought.
Finnegan is clearly an excellent prose stylist, and his stories of growing up in Hawai’i and Southern California, learning to surf, and coming of age in the sixties are fascinating. He doesn’t shy away from describing his numerous mistakes, or try to polish away the fact that he seems to have been an exceptionally self-centered, directionless surf bro well into his mid-thirties.
But while I found it charming that he didn’t pull those punches, Heather found him incredibly irritating. She still loved it because she’s a SoCal surfer herself and because Finnegan has clearly lived an interesting life. But she found his almost comically Freudian view of what Surfing Ought to Be (hint: obsessively dedicated men risking their lives unnecessarily) to be elitist and pretentious.
The back of the ARC notes that the marketing campaign will include special outreach to surf shops, which makes perfect sense. Surfers, even if they don’t agree with all of Finnegan’s views on surfing, will love this book. Nonsurfers (I’m one) will like the honest descriptions of a young man trying to manage the literal and figurative waves of the 1960s and 1970s. Anyone who’s ever seen a favorite thing become a trend will recognize Finnegan’s reluctance to admit that the sport he took up as an outsider is now thoroughly co-opted by The Man.
But reading this book mostly makes me wish I’d read his other books first – the prize-winning nonfiction about South Africa, Mozambique, and depressed pockets of the US. I’ve got a hunch that I’ll wind up recommending those over his memoir.
Plenty of grownups like to read youth-oriented fantasy and sci-fi. Plenty of grownups like to read, ahem, <i>adult</i> fantasy and sci-fi. But The Magicians, by Lev Grossman, is a different sort of beast. It’s a novel about a young man who’s a fan of a children’s fantasy book. He’s always suspected there’s something special and different about him.
And of course, there is, and magic is real, etc. etc.
So, the first thing he does is throw over all his old non-magical-world friends, go off to special magic college, hang out with a really pretentious clique, and try to impress chicks with magic.
Grossman brings a metafictional flair and a wry humor to the treatment of how actual people would handle magic if it were real, and how the worlds we imagine to be fictional would behave if they weren’t novels, but actual worlds. Oh, you think you’re a hero? Everyone wants to be the hero in their own story. You might not be. Oh, you’ve found your one true love? You’re still an idiot twentysomething and you’re going to wreck that relationship by hooking up with a girl who’s just toying with you out of boredom.
There’s a reason George R. R. Martin blurbs this book – like Game of Thrones, it subverts the conventions of the genre, and creates something entirely different. It’s not as violent or explicit as Martin’s work, but it’s very much a novel for adults who were raised on children’s fantasies and want a grownup, more nuanced tale with deeper themes than “heroism = awesome.”