Author Archives: bookdwarf

Follow up on Cooking with Italian Grandmothers

Just so you don’t blame the cookbook, I wanted to let you know, dear reader, that the cookies I made from Cooking with Italian Grandmothers were fantastic. While Mr. Bookdwarf worked on making the gnocchi, I made Walnut Black Pepper Cookies which Jessica Theroux made with Carluccia in Zambrone, Calabria.

It’s a very simple cookie recipe with no leavening agent added. You cream butter and sugar. Add some flour, crushed walnuts, honey, a bit of sugar and black pepper. This is from memory, but I’m pretty sure that’s it. They used walnuts picked from Carluccia’s trees and peppercorns foraged from the Calabria’s wild coastlines. I also assume they used local honey. I don’t have walnut trees or Calabrian coastline nearby. I used what I had at hand. My walnuts were a  little stale and I didn’t add quite enough black pepper. But you know what? They were damn good. I ate the last one last night and they hold up for days. You know how you make cookies sometimes and they only really taste good for that one day? These were good for many days.

Even though I want to cook pretty much every recipe in Cooking with Italian Grandmothers at this point, I’m going to make them again, perhaps tonight even.

Sunday Dinner, also a Review of Cooking with Italian Grandmothers

On Friday I brought home a new cookbook called Cooking with Italian Grandmothers. It entranced me from the get-go.

Author Jessica Theroux spent more than a year doing exactly what the title suggests: Traveling around Italy cooking with grandmothers, the keepers of traditions and culture. It might sound like a gimmick, but it was a serious quest. In the introduction, Theroux explains some of her motivation to spend time in kitchens to learn the more rustic styles of Italian cooking:

Good cooking, the kind that feeds the soul and nourishes the body, is the result of listening openly and acting simply. All of the women in this book taught me something about the power of food to connect us; to ourselves, our history, our land, our culture, to our past and present moment.

I spent most of Saturday sitting on my porch in the sun reading this book, cover to cover.

Each chapter focuses on one of the grandmothers as Theroux introduces them and what she learned. She makes it to different regions of Italy and cooks several recipes specific to the region. Most of the women seem to cook by memory. Some forage and make something delicious out of whatever they find. Some prepare specific recipes. Old and young, they put a lot of thought, care, and energy into their food; it really shows as Theroux absorbs their lessons. The book includes lots of wonderful color photography of where she stays and of the food of course.

We decided to try our hand at the Gnocci con Ragu (Potato Gnocci with Tomato Beef Ragu). We’ve been making pasta for months, but this turned out to be more difficult than we thought!

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Forming Gnocchi

Our first crucial mistake was in undercooking the potatoes. They seemed all the way done, but when we tried to mash them for the dough, the centers were still a little firm. The recipe says to run them through a ricer or mesh strainer, but our strainer was too flimsy for the firm potatoes. So we grated them, which gave us a mixture that was both lumpy and glutinous at the same time. The flavor was good, but the texture made shaping them difficult. Cooked, they were soft like proper gnocchi, but they didn’t have the toothiness that we wanted.

We tossed the gnocchi into the ragu

Gnocchi in Sauce

The second mistake was with the sauce. It was a very simple recipe: Onions, beef, tomato paste, water, and precious little else. But the onions and beef didn’t brown up like we wanted. And when we added water, we put it all in at once, and it turned out to be more than we needed. Even after two hours simmering it was still too watery and it seemed underflavored.

That’s not to say that our dish was bad – I mean, we still ate two portions each. But before we serve it to friends we’ll have to practice a little more.

You can look up videos of Italian grandmothers making these recipes and they make it look incredibly easy, the same way Olympic athletes make their performances seem simple. But that ease is honed with decades of practice, and I guess we couldn’t expect to get it just right the first time.

Food Adventures in Watertown, MA

Unlike the Arax Market across the street, or Sessa’s in Davis Square, La Romagnoli and Son is not packed wall-to-wall with foodstuffs. Instead, there’s a carefully curated selection of only the best meats and cheeses, and a small refrigerator and freezer stocked with a couple of outstanding sauces.

And crucially, unlike any of the competitors, including Dave’s Fresh Pasta and Capone’s in Somerville and Cambridge, La Romagnoli & Son have a full kitchen, right in view. Not just panini, but pastas, fritattas and more are available, cooked to order, by the owner.

When we came in on Saturday afternoon, signora Romagnoli was patiently and carefully explaining a recipe to a sous-chef, in between taking and filling our orders. The special pasta that day was a carbonara. It was incredible, heavy on the cracked pepper and shot through with bacony smoke from the pancetta. Mr. Bookdwarf ordered an eggplant parm sandwich. He’s a fan of a greasy, sauce-heavy, spicy eggplant parm, but wanted to see what Romagnoli would do with it. She made it as he probably should have guessed she would. It was a reminder of what eggplant parmigiana ought to be: Flavorful bread instead of fluffy nonsense, excellent mozzarella instead of low-moisture part-skim commodity cheese, and exactly enough home-made sauce to dress the eggplant without hiding the flavor of the vegetable itself.

While we were eating, a crotchety old couple came in, asked a million questions, rejected suggestions of soup (“I don’t like beans”) and sandwiches (“I’m not a bread person”) and flavorings (“What’s pancetta meat?”). Signora Romagnoli handled them with aplomb, went off-menu, and brought them a dish that they seemed delighted to have. It looked pretty good to me, too, but by that point I’d already stuffed myself with carbonara and Mr. Bookdwarf was grabbing mints from the dish by the door and heading to Arax for Armenian string cheese and baklava.

We’ll be back.

Memoirs: Why Bother?

A provocative title for this post I realize, but I often wonder why all the memoirs that published get written in the first place. I have to assume that the author thinks they have something to share with the world, some sort of unique perspective. More often than not, they follow this pattern:

    • I grew up in:
      • a really poor family in a rough neighborhood.
      • a cult.
      • a hippie commune with free spirits.
      • evangelical family that punished me a lot.
    • I overcame my background and became:
      • a writer.
      • a lawyer.
      • better than them.
      • a drug addict.
    • Today I’ve:
      • got a normal family.
      • adopted some kids from other countries.
      • got dreadlocks and tattoos and live an alternative lifestyle.
      • got a writing degree and published some stuff.

Often the writing is okay, not great, just okay. You can see where I’m going with this. It’s all part of the “too many books are being published” argument. You might think I’m here to whine about a particular book. No sir! I’m actually writing this post because I read a book on the plane to Atlanta last Thursday that completely goes against everything I said here. Unfortunately for you, Dear Reader, it’s not due until Spring 2011, but I’m saying it’s one of the best books I’ve read this year. The book: Andre Dubus III’s Townie: A Memoir.
After Dubus’s parents divorced in the 1970s, his mother moved he and his siblings to a depressed Massachusetts mill town outside of Boston, rife with violence and crime. Facing daily beatings, Dubus eventually begins weight lifting and decades of fighting back. His memoir examines the correlation between violence and creativity as well as his relationship with his remote father. It’s simply stunning. His honesty and willingness to look with open eyes at himself and his family won me over. A lot of its brilliance lies in his remembering and sharing of the details and I honestly feel like I know him now.
Wonderful, tremendous,  these are words I normally use to describe books I like. They don’t seem accurate in this case nor do any other words I can think of while writing this. It’s simply a book you must read.

Our Dorie Greenspan Cookbook Dinner Party

We started it last year with Frank Stitts’s Bottega Favorita cookbook: everyone prepare a dish or two from the same cookbook and we have a dinner party to see how the recipes work out. We’ve had many successful parties in this manner. Last Sunday was no different. A the resident cookbook junky, I chose Dorie Greenspan’s new cookbook Around My French Table since I’m such a huge fan of her book Baking: From My Home to Yours and of her blog.

One of reasons why I enjoy her cookbooks so much is that each recipe starts off with a lot of text either explaining the genesis of the recipe or a funny anecdote or something. As someone sits and reads a cookbook cover to cover, I love it. This book is not strictly French food either. It’s recipes you can imagine people making in their homes with all of the influence of various ethnic cuisines melded together. I chose to make the Chicken in a Pot (featured on the cover) which used preserved lemons and an Olive Fougasse. More detailed photos of the various foods made are here. At some point hunger won out and we sat down to eat before I could take more pictures.

I’ve been playing with new camera, a Panasonic Lumix DMC-LX3, which is so awesome but I have no idea how to use it. Taking pictures of food is hard! The color and texture don’t often translate. Plus I have no special lights and it’s getting darker earlier, so natural lighting is scarce. Here are two photos I took of the baked Olive Fougasse:

The first one was taken with the bread in front of the window with the sun shining on it.

Here's a photo taken with the sun behind me. It gives a better sense on how brown and rich the bread became.

In the second picture, the sun is behind me. Very different, no?

The recipes were so simple to make and utterly delicious. We had kir and gougeres to start, some cheese and crackers from Formaggio Kitchen and the Olive Fougasse. For the main course, we at the Chicken in a Pot, Delicatta squash with Apple and Grapes, Spice Butter Glazed Carrots, and Potatoes Au Gratin. We finished with a fantastic Apple Cake recipe with Cinnamon ice cream from Christina’s.

Like I said, check out the pictures here. There are dozens of recipes I want to try making from Around My French Table. I can’t wait.

NEIBA Follow Up

One of the things I picked up last week in Providence at the NEIBA conference was a cold. I fought the good fight with hand-washing, vitamins, and medicinal whiskey, but lost in the end. I figure the coughing counts as exercise.

I did manage to bring home lots of books. I always tell myself not to grab anything. After all, it’s not like I don’t have enough books at home and at the office. It’s so hard to resist, though, when I finally see the finished copies of books that I’ve only seen in catalogs. And there were Spring 2011 galleys too!

  • Heart of the Artichoke by David Tanis: The cover is so gorgeous! I can’t wait to cook from it. He’s the chef at Chez Panisse in Berkeley.
  • Blood, Bones, & Butter by Gabrielle Hamilton: I already finished this chef memoir. The front and back cover of the ARC have two brilliant quotes from my heroes Anthony Bourdain and Mario Batali so I couldn’t resist devouring it immediately.
  • Tiger, Tiger: A Memoir by Margaux Fragoso: I’m just not sure about this book. For me, it’s got the same vibe as Emma Donoghue’s Room. You know, creepy, except instead of a novel about a boy in a prison room, this is a memoir about her life with a pedophile. It’s got a nice cover though!
  • Punch: The Delights (and Dangers) of the Flowing Bowl by David Wondrich: I got this book for Mr. Bookdwarf, himself a cocktail aficionado. The title sums it up pretty well. I’ll brag and say that my husband loves making delicious cocktails and I’m usually the lucky drinker.

I brought home more. I just can’t remember all of the titles. I’ll make a list and post the rest.

Tidbits or a Long, Rambling Post

I’m off to Providence, RI on Thursday for the annual NEIBA conference. It’s a smaller version of BookExpo but more fun in a lot of ways. Booksellers from all over New England show up and have a big nerdfest about books. How could it not be fun? Also, I’m on a panel discussing the relationship between buyers and sales reps on Friday morning. I love doing panels though I tend to gesticulate a lot when I talk and always worry I’ll hit someone sitting near me. Wish me luck!

This morning on the train ride to work, I noticed two interesting things. One was the large number of pregnant women in my car–there were 8 of them! The other was that no one was reading any of the Stieg Larsson books. It’s the first time pretty much since the books exploded onto the scene that I haven’t spotted their tell-tale covers on the subway. Like most booksellers, I’m always checking out what the other people are reading whether I’m on the train or bus or sitting in a cafe. This morning there was: a lady reading Penelope Lively’s Family Album, one of the pregnant ladies reading what I think was The Art of Parenting Twins, a gentleman with PD James’s The Private Patient. The rest of the car was into their magazines and Metro’s. I mention all of this because one of the things I do on Monday mornings is compile the store’s bestseller list. The Stieg Larsson books have been on there for over a year. Today is one of the first times the two paperbacks haven’t been on it! Does this mean the trend is over already?

The Girl with the Dragon Tattoo came out in hardcover in September of 2008 and did pretty well. It’s when the paperback came out the next summer a month before the The Girl who Played with Fire arrived in hardcover that the series took off. There are the Swedish  movies directed by Niels Arden Oplev which got mixed reviews and are already being remade by David Fincher because you know, we don’t like to read our movies or something. I’m not really sure why they’re doing it, it’s a nasty Hollywood habit. That’s a whole other article though. I’m just wondering if we’re seeing the downward slope of the Larsson trend. Probably too soon to tell. The last of the Millennium trilogy isn’t even out in paperback yet after all.

Over the weekend, I read The Privileges by Jonathan Dee. It’s a fast read–I read it in about one sitting. It begins on the wedding day of Adam and Cynthia Morey and follows them as they become super rich. That’s pretty much all you need to know about it. It’s written from the perspectives of Adam and Cynthia and later their two children, April and Jonas. Reviews call it “intelligent” and “scintillating” which are both apt descriptions. At the end of the day though, I found it like reading a television script for one of shows on CW or Bravo. They’re super rich, but hey, they have feelings too. I like Dee’s writing style however. That’s pretty much what saved it for me in the end.

I’m realizing that I should have split this post up given the randomness of topics, but too late! I’m already on a roll! Over at The Millions Patrick Brown has posted a response to Flavorwire’s Top 10 Bookstores in the US list (and no, we’re not on it which makes me think the list is crap) that came out last week. One of his more interesting points, and there are a lot of those in the article, is this:

Another pet peeve of mine is when people consider their local independent bookstore a charity. Unless your store is a non-profit, it should succeed or fail based on how well it does as a business, not because of noblesse oblige on the part of your municipality. Allowing people to treat your for-profit business like a charity can have some unwanted side-effects. I’ve worked for stores that would occasionally charge admission to a reading.  Typically, the price was purchasing a copy of the book, which seemed perfectly reasonable to me – you’re there to see the author, you buy the book, the store makes some money, the author makes some money, everybody wins!  But all too often, people would look at me as if I’d just told them air was no longer free.  “You shouldn’t be charging for these events,” they’d say. “They’re good for the community.” In other words, they were looking for an evening of free entertainment. Well, this isn’t the library, ma’am. We have to pay the bills somehow.

There are two great ideas in this paragraph. First is the idea that not all independent businesses are created equal. Some  independent businesses just plain suck for a variety of reasons so you shouldn’t have to shop there if that’s the case. I’ve been to my fair share of bookstores in the US that were not very good. And no I won’t name names. I’m a strong believer in buying local if possible and by that I mean not only if there’s that type of store in your neighborhood but also that the store is the right one.

The second idea is about author events and ticketing. My store hosts a great deal of author events, some in the store, but many in other venues. Guess what? We often have to pay for the space and for the speaker and microphone rental and other stuff. Often we charge a $5 ticket but it’s also a coupon! Sometimes I’m surprised at the amount of people who balk at buying tickets to an author event but most people understand why we have to charge. They like us and our event series enough to continue supporting it. Last week alone we had events with Mary Catherine Bateson, Eliza Grizwold, Guillermo del Toro, Tao Lin, and Robert Reich. It’s one of the things we do best and I hope our customers appreciate the amount of energy we put into it.

Making Cavatelli using The Geometry of Pasta

I’m still working on the great pasta experiment. My schedule has been pretty tough the last few weeks. Turns out I have a rotator cuff impingement that requires physical therapy and I’ve been trying acupuncture to help as well. On top of that, I’m buying the Winter publishing lists. It makes for a busy schedule!

Mr. Bookdwarf and I went to the MFA on Saturday to see the Richard Avedon Fashion exhibit. Being the nerd that I am, I insisted we walk through the book store—it’s one of the best in Boston. Art books, yes, they have lots of those, but they also have a great cookbook selection as well. I ended up buying a copy of The Geometry of Pasta by Jacob Kennedy  and Caz Hildebrand as its black and white graphics intrigued me so much. Plus it has actual instructions on how to make various shapes. The concept: pairing pasta shapes with the perfect sauce. It’s alphabetical and each shape gets a lovely black and white graphic representation along with a recipe or two. I like the concept, though the instructions could use some illustration. I decided to give cavatelli a whirl.

Cavatelli are a tubular, rolled pasta. The length can vary depending on what sauce you make to go with it. I opted for ones about one inch in length. Kennedy suggests a dough with nothing but semolina and water. Neat! I used his formula, which was 1 cup plus 3 TBSP of semolina and 1/3 cup of water. I ended up needing a bit more water to get the dough to stick together, about 1 TBSP more. I kneaded it in my large ceramic bowl for about 5 minutes after the flour and water came together before letting it rest for at least a half an hour wrapped in plastic.

On to making the cavatelli! I didn’t need much besides work space, a pastry cutter, a pan for the shaped pasta, and some semolina for dusting.

Getting everything prepped

First you cut the dough into four pieces. Then you cut your first piece into four smaller pieces. Then you roll them out into snakes, at least that’s how I remember doing it with playdoh.
Rolling out the dough

Then cut each snake into pieces about an inch long. You can make the cavatelli shorter or longer if you like.

Cutting the rolled out lengths

Take your pastry cutter and scrape the piece of pasta dough toward you. It will smoosh and then curl back on itself.

Cut the rolled out lengths into inch size pieces

Here’s an image that explains it better:

You scrape the pasta piece across the board. It curls up on itself and voila!

At first you wonder what the hell you’ve done wrong, but they’re supposed to look like weird tubes I promise. Once you’ve done the first few, the rest go pretty quickly.

A cavatelli!

For the sauce, I Mcgyvered Kennedy’s accompanying recipe for Tomato with arugula and white beans. I had some heirloom tomatoes, the arugula, but also some sweet Italian sausage. And wine. Always wine.

The basic sauce ingredients: tomatoes, arugula, garlic, white wine

First, I sautéd the sausage and took it out of the pan. Next, I added some olive oil, then the garlic, and finally the tomatoes & white wine after a minute or so. The sauce was really chunky since I used large heirloom tomatoes. Mr. Bookdwarf came up with the brilliant idea of using the immersion blender to make a smooth sauce. Brilliant! It’s a lovely shade of orange. I added in the beans, the arugula, and the sausage and let it cook down a bit.

Letting the sauce cook down

At this time, you should start cooking the pasta. You have to let the formed cavatelli dry a bit before cooking. That way the inside and outside will be done at the same time. Boil a huge pot of salted water, toss in the pasta, and wait. They took about 5 minutes since the pasta is very dense. I saved a bit of the pasta water and added 1 TBSP to the sauce before spooning portions in bowls.

Cooked cavatelli

I topped it with the sauce and of course a sprinkle of parmesan. Doesn’t it look delicious?

The final dish

As always, I play the game of what would I have done differently. I wouldn’t change much here. The pasta was perfect and much easier then I was expecting. The sauce could have used more thickening. If you want to see more pictures of the process, you can see the photo set here. I’m looking forward to working out of The Geometry of Pasta again–I really want to make strozzapretti which translates as Priest Stranglers–but I want it to have more directions for the pasta shaping. It’s still a great resource to have at hand. On to more shapes!

As Always, Julia edited by Joan Reardon

Reading Julia Child’s letters is such a treat! I wish I had known her and we could have corresponded by letter. Her personality shines through in her letters to Avis Devoto. They wrote about everything! Politics, literature, kitchen gadgets, nothing is off topic. You learn about the creation of MTAOFC which took many years. You also get a real sense of life during the McCarthy era, the anger and frustration of Americans. Plus, I love hearing about the new innovations–dishwashers, blenders, etc. It seems like a dark era in the American kitchen. Shallots were a luxury!

This book of letters is simply fantastic. It confirms Julia Child’s status as an American treasure in my book.

Freedom by Jonathan Franzen

I’ve been wrestling for a while with this post. I had about two paragraphs written but realized they were nothing but plot recaps and scrapped the whole thing.  A gentleman who reads this blog visited the store yesterday. His only question was what did I think of Freedom? After all, I did finish it a while ago.

Like Franzen himself, Freedom is polarizing. Great American novelist or overrated hack? Great American novel, or seriously grating
characterization?

I’m usually a cynic about that kind of praise, but I think Franzen
isn’t overrated, or at least not by much. Freedom is truly great.
Saying I loved it doesn’t really express how I felt about it, though.
It’s a little more complicated than that.

I certainly didn’t love all of the characters–Walter with his grating niceness, self absorbed Patty, their son Joey who I mainly wanted to punch, and the whiny daughter who isn’t as important to the story for some reason. Yet grew affectionate about them and was happy in the end with the lives Franzen created for them. With Franzen you always spend a lot of time frustrated with his characters, but it pays off.

Freedom is a great book. I’m betting that it will become a classic, at least I hope it does. Ignore all the stuff being said about the author. Just read the book for what it is, a novel about the absurdities of modern American life. Hopefully you like it as much as I did.